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Posts Tagged ‘Arts & Crafts’

Someone asked for good pop music!

June 9th, 2009

wolfgang_amadeus_phoenix
That’s right: ask and you shall receive!

I have no idea what prompted it, but on the post regarding the latest Mountain Goats EP a commenter asked for some good pop music. Well, here’s your chance to listen to a few cuts of what will be the single greatest guitar-pop album of the year.

Had this website existed back in 2006, I probably would have thoroughly gushed about Phoenix’s last full-length, It’s Never Been Like That (thankfully released in Canada on Arts & Crafts, netting it a pretty wide distribution). The band craft taught, wiry power pop that stands on its own. Despite three years lapsing between albums, they’ve been mentioned once or twice before as a reference point.

New album Wolfgang Amadeus Phoenix finds the band in a curious spot. Yes, they played Saturday Night Live and killed it (playing the incredibly rare third song to boot), but nobody knew who they were before that and people still don’t seem to. At the same time Wolfgang is probably their tightest and most well-constructed album yet. Phoenix are like the Snuggie of the indie rock world: they’re sound is so warm, fuzzy, and comforting even in its darkest moments I can’t see how it’d be possible to resist it. Right from “Lisztomania” on through one of their darkest, most brooding and meandering tracks “Love Like A Sunset” the keyboards are unrelenting. The keyboards wash over the entire thing and just make it feel like a comforting old blanket. Gosh I’m sleepy right now.

Lyrically the band writes with a clarity one would not expect from some French dudes writing in English, their second language. Their lyrics come in crisply-penned, short couplets that are surprisingly insightful (when you can make out what they’re saying).

Anyway, here’s a few songs to enjoy; one of them is old and my favourite Phoenix song ever.

 
icon for podpress  Phoenix - Lisztomania [4:08m]: Play Now | Play in Popup | Download

 
icon for podpress  Phoenix - Lasso [2:50m]: Play Now | Play in Popup | Download

 
icon for podpress  Phoenix - Consolation Prize [3:12m]: Play Now | Play in Popup | Download

North Americans ought to try InSound for physical copies of Phoenix records. iTunes is there for digital consumption as well.

If you have some extra scheckels laying around pick up the ridiculous super-ultra-limited edition release which features vinyl, artwork, special DVD release, and a special vinyl album with 48 fucking demos from the recording sessions for the record. Forty-eight! What the what?

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Here’s to the here and now

March 26th, 2009

I missed Jason Collett’s set at Hillside Festival last year (though I saw him play at the Sunday Morning Gospel Hour and a Half) and somehow managed to bypass his 2008 album, Here’s to Being Here.

But I’ve been listening to it in advance of his show tonight at the eBar. Frankly, it’s been providing me with the perfect “Now-I’m-Unemployed-but-Life-Goes-On” soundtrack. Combined with Joel Plaskett’s new triple album Three, which I’m still absorbing, Here’s to Being Here has been filling my days with beautifully crafted, rootsy numbers that tell me I’ve got nothing to lose and everything to gain.

jasoncollettRoll On Oblivion does just what it says it will: You’re immersed in an ocean of folk-pop on a particularly tranquil day, with waves of chords just rippling over you, out to the horizon. And once you’re done splashing around in the ocean, there’s a sprawling afternoon before you, a perfectly good hammock stretched between two palm trees and absolutely no intention to honour any engagements. I imagine just crawling in there and listening to the Lou Reed-esque nasal tone in Collett’s voice on Not Over You and crying to myself because dammit, I still wish I had a job and I’ll never really get over losing this one, no matter how hard I convince myself I am.

I see my future in this album, too. I could picture listening to Out of Time, with its “ooh-ooh-ooh-ooh-oooohhh!” studded chorus and Rolling Stones strut on a cool, spring morning, curlers in my hair, getting ready for work and sipping coffee on a city balcony somehwere, while the streets wake up around me. There’s nothing hurried or urgent in Collett’s music and the album’s title, Here’s to Being Here, is really resonating with me. It’s something I’m learning to appreciate. Being here - right here, where I am right now - is just fine. This week is about pausing and reflecting on that.

Collett will be supported by his labelmates, Toronto group Zeus. They’re releasing their debut album, Something Awesome on Arts & Crafts sometime this spring. Right now, they’re offering a few tracks for free. They’re all catchy, sweet-sounding rockers that do pop a solid by representing.

But my favourite is The Renegade. Its piano track has a boogie-woogie feel that reminds me of nothing so much as the Beatles on Lady Madonna. Sure, sure, everything’s influenced by the Beatles. But finding yourself compared to them on your first outing is no mean feat. Keep it up, guys, and you’re going to find yourself big, stupid music stars.

But that’s not all! Local boys Tacoma Hellfarm Tragedy will be on the bill, too.

Fine purveyors of tonics to cure what ails you or murder you silently in your sleep, this foursome’s last album, Orchard Songs on Guelph’s Digital-D.I.Y. label, Out of Sound, is a triumph of gutter-crawling, lyin’, cheatin’, heart-breakin’ murder ballads.

It features many sad songs masquerading as happy songs, like True Love Killed My True Love’s Love For Me, which sets a cheery pace that wouldn’t be out of place on an Archies album. But it’s better than that, because overlapping the shiny, happy rhythm are melancholy vocals and pedal steel the way it was meant to be played, dammit. Though they’ve been around for awhile, Tacoma Hellfarm Tragedy are a new discovery for me and I’m definitely hoping to see more. Their website says a new album is due out this year, so be on the lookout!

This show is a benefit concert for Out On The Shelf, a queer library and reference centre in downtown Guelph. It’s a fine and worthy organization you should support by attending the show. Come on out! It’s from 9 p.m. to 1 a.m. tonight at the eBar. Tickets are $12 if you bring a food donation, or $14 without.

 
icon for podpress  Jason Collett - Roll On Oblivion: Play Now | Play in Popup | Download

 
icon for podpress  Zeus - The Renegade: Play Now | Play in Popup | Download

 
icon for podpress  Tacoma Hellfarm Tragedy - True Love Killed My True Love's Love For Me: Play Now | Play in Popup | Download

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Ladies and Gentlemen

March 4th, 2009

I’m sad because I’ve been so busy lately that I barely had time to acknowledge Stephen Page’s departure from the Barenaked Ladies. Luckily, Pat did a more than awesome job of it for me. As far as I know, Pat and I don’t share a TON of the same daily musical tastes. Like, we both like Springsteen and the Gaslight Anthem and Joe Strummer, but some of the tunes he loves, I have never heard of and I’m sure that goes both ways.

But one thing I know we both agree on is that if we were forced to live on a desert island with a limited supply of five albums, the Barenaked Ladies’ Gordon would be on both our lists. I love “What a Good Boy” so much that I want to take it out behind the middle school and get it pregnant. I will miss the superb songwriting duo of Robertson and Page.

And that’s all I have to say about that.

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Now, let’s talk about newspapers. You might have heard that they’re in trouble. You might even have heard some prominent Republican politicians rejoicing over this fact on The Daily Show with Jon Stewart. Boooo for news and opinion in the printed form! Hooray for the death of being well-informed and smart!

Everyone who writes for this blog either works for the media or has family that does. So we understand. I hope you’ll bear with me as I try to explain and write about a subject that is near and dear to my heart.

The daily newspaper I work at in Guelph recently laid off 11 people in a newsroom of 21.

I am one of those 11.

There are no more copy editors. Because who needs accuracy, am I right? Our jobs will now be done by people in Kitchener who work at The Record. I don’t begrudge them their jobs. I wish them luck. I worry that in a year or two, the company will wonder why they are even paying reporters to cover stories in Guelph at all and some of the most talented, professional people I’ve ever had the pleasure of working with will join me in the unemployment line.

I think the company is vastly underestimating the importance of what the loss of three copy editors, two senior editors, one photographer, a sports editor, an entertainment editor, an opinions page editor and a city hall reporter will mean to a newspaper in a city the size of Guelph. People who no longer read newspapers do not write letters to the editor. They don’t hold out hope that things will change. They simply stop picking up the paper. They don’t renew their subscriptions. They are a speaking silently, telling you that you need to fix your product so they feel they’re getting their money’s worth. Maybe this is just me, but I don’t think lowering the quality of the news we produce will do that.

There is another story going on right now in the Royal City. And it has to do with the Family Thrift Store, which is owned and operated by Ray Mitchell. Ray sells junk. The people who buy it sometimes turn it into art. They sometimes re-purpose it for their own use. All I know is, there is no other place in this city where I can buy an old-timey metal container of boracic acid that directs me to use it “full strength” as an “eye lotion.” The city recently bought the land on which Mitchell’s store is located. He rents and his landlord handed him an eviction notice a couple of days ago.

Now, the land is going to be put to good use. It’s where the new library will go. And the city desperately needs a new library. The old building is a leaking mess. And I wholeheartedly support that.

But without a local newspaper, people who live in Guelph would never know that the city had an opportunity to buy the old post office building that is on the same block of the same street where the new library will be. But they didn’t take that opportunity, despite the fact that it would have cost them far less to do so than to building a new library, parking garage, condos, etc.

In addition to losing the Family Thrift Store, there are several low-rent apartments above the businesses that will be demolished. And I would be remiss if I didn’t mention that Ray Mitchell does far more than sell junk. His daughter is Jenny Omnichord, who also has played with the Burning Hell and the Barmitzvah Brothers. He has provided many local bands and artists places to practice, places to sleep and places to perform. The place is a curiousity shop that will be remembered long after it has gone. Over the years many, many, many bands have performed among the stacks of old furniture, clothing and tchotchkes. The Arcade Fire’s Win Butler bought his engagement ring for Regine Chassagne at the Family Thrift Store.

Ray Mitchell supports independent musicians and artists and that is something that is invaluable, especially in a community like Guelph, which prides itself on independent solutions to problems.

That kind of support should most definitely be recognized and celebrated. And I would ask that the same people who support Ray Mitchell’s Family Thrift Store and local musicians be very aware that if there is no local newspaper, nobody will cover their gatherings and protests, nobody will explain things to them in depth, nobody will take award-winning photos of them and nobody will champion their cause. Nobody will write about local music and artists and nobody will offer critical and informed commentary on local politicians and activities.

Local news is what will save the newspaper industry. I wish I could tell you why newspaper companies don’t understand that. But I can’t. The industry is dying. And put simply, once it’s gone, you can’t get it back.

Which brings me to Gentleman Reg.

Gentleman Reg

Tomorrow, I am going to do something I rarely do. I’m going to get up before noon and go to the University of Guelph campus courtyard to see Gentleman Reg play.

You might know Reg Vermue from around. Though he’s now based in Toronto, he came of age in Guelph and got his start in this city’s bustling music scene.

He’s played with the Hidden Cameras and Broken Social Scene. He released his first album, Darby and Joan on the now-defunct Guelph label Three Gut Records. He had a small role in John Cameron Mitchell’s Shortbus, where he claimed to be an albino. Personally, I think he’s just very pale and very blond.

But if you haven’t heard of Gentleman Reg, you will soon. His new album, Jet Black, is available from Arts & Crafts and you should go buy it immediately because the songs on it are energetic and poppy and well-crafted. They show off Reg’s superb and unique voice and also feature some more fantastic Canadian musicians including members of Great Lake Swimmers, The Constantines, Land of Talk and The Organ.

He’ll be at the U of G’s Student Centre tomorrow afternoon for a free concert. Come out and see him. I’ll see you there.

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Albums, albums, albums:

 
icon for podpress  Gentleman Reg - You Can Get It Back [3:19m]: Play Now | Play in Popup | Download

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Take A Chance, Lose It All

August 21st, 2008

As you can probably tell from the other posts on this website that I’ve authored, I generally like to take my time with things. I like to spend a good amount of time with an album, get to know it inside and out before I attempt to pass judgement on it. Today I just can’t help it — I’m jumping the gun.

The new album from Montreal’s The Stills came out on Tuesday and it’s quite good. They sort of blew up five years ago as the first signee to Vice Records, making a splash and getting some pretty lauditory reviews with their first album, Logic Will Break Your Heart, and a few of the accompanying singles. I think I might be the only person in North America that actually liked the follow-up, Without Feathers. It actually got no stars in at least one review I read, the critic saying it was like their first album only boring and not good at all.

Well I’m not entirely sure what the critics might say about this one, but when I’m listening to “Everything I Build” I really couldn’t care less. It’s new territory for the band, the majority of it nothing more than a couple of repeating, palm-muted, plucked guitar notes, a few keyboard flourishes, and some gorgeous vocals about everything going wrong. I’ve listened to it about ten times more than any other songs on the record. Hell, I like it so much I’m writing this at work (which I never do) while I ought to be working. The rest of the album is good, but goddamnit this is a centerpiece if ever there was one.

 
icon for podpress  the Stills - Everything I Build [3:47m]: Play Now | Play in Popup | Download

Pick up the new release, Oceans Will Rise, from the band’s new label, the renowned Arts & Crafts:
Physical: Expensive vinyl!
Digital: the fabulous Zunior site

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